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Making and Remaking Horror in the 1970s and 2000sWhy Don’t They Do It Like They Used To?$
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David Roche

Print publication date: 2014

Print ISBN-13: 9781617039621

Published to University Press of Mississippi: September 2014

DOI: 10.14325/mississippi/9781617039621.001.0001

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The (Dys)Functional American Nuclear Family

The (Dys)Functional American Nuclear Family

Chapter:
(p.65) Chapter 3 The (Dys)Functional American Nuclear Family
Source:
Making and Remaking Horror in the 1970s and 2000s
Author(s):

David Roche

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617039621.003.0004

This chapter explores the thematic and structuring role played by the Gothic motif of the American nuclear family. Rather than arguing that the patriarchal order represses disorder, the notion of immanence emphasizes that order produces disorder. A chronological study of the films shows that the motif of the family remains a recurrent narrative thread in the remakes, but that, like the contextual aspects examined in Chapter 1, it has become more a matter of direct causality and less a matter of subtext, suggesting that contemporary filmmakers are familiar with Wood’s thesis. Moreover, in the remakes, the “monstrous” families no longer reflect the dysfunctions of the “normal” family, but represent the threat of a perverse order capable of destroying and/or assimilating “healthy” families. As such, they do not call into question the partiarchal order by revealing its constructiveness.

Keywords:   Family, Patriarchy, Repression, Immanence, Order

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