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Free Jazz/Black Power$
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Philippe Carles and Jean-Louis Comolli

Print publication date: 2015

Print ISBN-13: 9781628460391

Published to University Press of Mississippi: May 2016

DOI: 10.14325/mississippi/9781628460391.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 03 April 2020

Introduction (1971)

Introduction (1971)

Chapter:
(p.3) Introduction (1971)
Source:
Free Jazz/Black Power
Author(s):

Philippe Carles

Jean-Louis Comolli

, Grégory Pierrot
Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781628460391.003.0001

In the original introduction to the book, the authors define free jazz as a revolutionary mix of politics and music intolerable for mainstream, bourgeois listeners and critics. It approaches jazz the way the Black Power movement approaches politics. They recognize the influence of Amiri Baraka’s writings on their outlook, but stray from his cultural nationalism to assert that free jazz participates in global, anti-colonial struggles. They mean to expose how free jazz forces this struggle into critical discourse.

Keywords:   Jazz criticism, Anti-colonialism, Black Power, Cultural nationalism, revolution

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