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The JokerA Serious Study of the Clown Prince of Crime$
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Robert Moses Peaslee and Robert G. Weiner

Print publication date: 2015

Print ISBN-13: 9781628462388

Published to University Press of Mississippi: May 2016

DOI: 10.14325/mississippi/9781628462388.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 21 November 2019

Shifting Makeups

Shifting Makeups

The Joker as Performance Style from Romero to Ledger

Chapter:
(p.3) Shifting Makeups
Source:
The Joker
Author(s):

Dan Hassoun

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781628462388.003.0001

Dan Hassoun begins our exploration, engaging the Joker’s propensity to fluctuate as a character over time by analyzing a generally under-researched dimension of screen and media studies: performance. In pursuing a deep reading of the Cesar Romero, Jack Nicholson and Heath Ledger screen performances (but leaving aside those of voice actors such as Mark Hamill), Hassoun argues that the decisions of actors have a central importance when considering our collective interpretation of so prominent a character. Moreover, Hassoun’s article serves as a case study for how performance studies might be more closely aligned with film and television analysis, to the respective fields’ mutual benefit.

Keywords:   Performance, Joker, Character, Actors

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