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Geographies of CubanidadPlace, Race, and Musical Performance in Contemporary Cuba$
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Rebecca M. Bodenheimer

Print publication date: 2015

Print ISBN-13: 9781628462395

Published to University Press of Mississippi: January 2017

DOI: 10.14325/mississippi/9781628462395.001.0001

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Localizing Hybridity

Localizing Hybridity

Chapter:
(p.160) Chapter Five Localizing Hybridity
Source:
Geographies of Cubanidad
Author(s):

Rebecca M. Bodenheimer

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781628462395.003.0006

The fifth chapter details two hybridizing practices within contemporary rumba performance, one that emerged from Matanzas (batarumba) and one from Havana (guarapachangueo). The chapter employs Stuart Hall’s concept of situated hybridity in order to argue that these innovations are informed by the histories and discourses of place attached to these two respective locales. In discussing these innovations, the chapter draws on oral histories conducted with musicians and in-depth musical analyses of both practices. Finally, these innovations are discussed as illustrative of the different approaches towards rumba-based fusion in the two cities in general, and thus of how musicians “perform” local identity.

Keywords:   Hybridity, Batarumba, Guarapachangueo, Rumba, Havana, Matanzas

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