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The Guitar in AmericaVictorian Era to Jazz Age$
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Jeffrey J. Noonan

Print publication date: 2007

Print ISBN-13: 9781934110188

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781934110188.001.0001

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The Old World Reclaims Its instrument

The Old World Reclaims Its instrument

Chapter:
(p.155) Chapter Nine The Old World Reclaims Its instrument
Source:
The Guitar in America
Author(s):

Jeffrey J. Noonan

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781934110188.003.0010

This chapter, which focuses on the impact of the emergence of a new generation of European guitarists on the history of the guitar in America, explains that during the early 1900s, the European guitar scene was dominated by three Spanish players including Miguel Llobet, Emilio Pujol, and Andres Segovia. It discusses the contribution of these guitarists in liberating the guitar not only from America’s mandolin and banjo ensembles but also from the musical and social constraints that had relegated the guitar to roles and repertoires based on late nineteenth-century prejudices, techniques, and repertoires.

Keywords:   European guitarists, guitar, America, Miguel Llobet, Emilio Pujol, Andres Segovia, mandolin, banjo

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