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The Guitar in AmericaVictorian Era to Jazz Age$
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The Guitar in America: Victorian Era to Jazz Age

Jeffrey J. Noonan

Print publication date: 2007

Print ISBN-13: 9781934110188

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781934110188.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 08 March 2021

Interlude

Interlude

A New Generation of Guitarists

Chapter:
(p.61) Chapter Four Interlude
Source:
The Guitar in America
Author(s):

Jeffrey J. Noonan

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781934110188.003.0005

This chapter focuses on the emergence of a new generation of guitarists in America during the late nineteenth century, and explains that four figures who appeared in the banjo, mandolin, and guitar (BMG) literature and programs are recognized as important performers, composers, and teachers. They are Justin Holland, Luis T. Romero, Manuel Y. Ferrer, and Charles de Janon. These guitarists were all of Hispanic or Latin origin.

Keywords:   guitarists, America, BMG literature, Justin Holland, Luis T. Romero, Manuel Y. Ferrer, Charles de Janon

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